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1979 Lyrics
Shakedown 1979
Cool kids never have the time On a live wire right up off the street You and I should meet Junebug skipping like a stone With the headlights pointed at the dawn We were sure we'd never see an end To it all And I don't even care To shake these zipper blues And we don't know Just where our bones will rest to dust I guess forgotten and absorbed Into the earth below Double cross the vacant and the bored They're not sure just what we have in store Morphine city slippin dues Down to see That we don't even care As restless as we are We feel the pull In the land of a thousand guilts And poured cement Lamented and assured To the lights and towns below Faster than the speed of sound Faster than we thought we'd go Beneath the sound of hope Justine never knew the rules Hung down with the freaks and the ghouls No apologies ever need be made I know you better than you fake it To see that we don't care To shake these zipper blues And we don't know Just where our bones will rest to dust I guess forgotten and absorbed Into the earth below The street heats the urgency of sound As you can see there's no one around |
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03-30-2003
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04-08-2003
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04-26-2003
In 1979, at a The Who concert in Cincinnati, Ohio, 11 young adults were killed and many more were injured during a stampede at a concert. The cause of the incident was a combination of lax security, intoxication, and poor planning on the parts of the concert organizers.
Several lines of the song could be taken as passing references to the so called "'79 tragedy". The opening lines indicate a gathering (groups of teenagers getting together and heading for the concert). The line "we were sure we'd never..." indicates that the 'change' implied in the song came as a surprise, and a concert riot would certainly come as a shock. The chorus indicates apathy or a lack of understanding, and witnesses to the 79 tragedy said that most of the crowd had no idea what was going on (due mostly to consumption of various mood-altering drugs before the show, it was a The Who concert!), and that some of those being trampled didn't even cry out for help. The second verse simply reenforces feelings of surprise or confusion ("They're not sure just what we have in store"), as well as intoxication or drug use ("Morphine, the city-slippin..."). The bridge could be taken to indicate death, as they passed on, their spirits went "faster than they thought [they'd] go" from the drug use. Numerous lines indicate the presence of music ("faster than the speed of sound", "beneath the sound of hope"). The last lines hint at chaos and confusion (the "urgency"), and ultimately solitude ("but as you see, there's no-one around.").
Just my take. Think about it. :)
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04-29-2003
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04-29-2003
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06-20-2003
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05-15-2004
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05-27-2004
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06-18-2004
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09-17-2004
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09-22-2004
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09-25-2004
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09-25-2004
I love this song, and my name goes well in it! =-)
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10-10-2004
In 79 a proto-goth would be described as hanging out with the freaks and ghouls, as Justine is here. They were, as goths are now, tremendous posers.
"Zipper blues" does have a sexual frustration connotation, and is also slang of limited circulation for "ups and downs" and being despondent because it seems like things are going well and then they crash. (Would describe punk pretty well. Nirvana et al were POSTpunk, not really punk.)
I would think "shakedown" of 1979 would refer more to an act of aggression, which was what punk was about in trying to kill off the insipid "music" all around it.
In many ways the anti-suburban, despondent youth, don't give a shit attitude of punk is all over this lyric, but I don't want to go on too long.
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10-15-2004
"and poured cement, lamented and assured
to the lights and towns below
faster than the speed of sound
faster than we thought we'd go, beneath the sound of hope"
I think this part of the songs is one of my favorite 20-30 seconds in all of the music I have ever listened to. I always have a million thoughts/feelings/longings running through my head when I hear this. The ironic thing about it is I still have many of the same things going through my head as a jr. in college as I did when I was 12. I think the central thing going through my head when I hear this part is the need for a friend, because most of the music I listen to is when Im alone, so many times music is a replacement for a friend, in hopes that this need for relationship and connection with people will only last temporarly and ill find a friend, yet I'm never want this song to end.
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10-21-2004
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10-27-2004
"It is one of the paradoxes of American literature that our writers are forever looking back with love and nostalgia at lives they couldn't wait to leave." -Anatole Broyard
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10-27-2004
Azzathoth's first comment made me laugh.
:)
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11-02-2004
A bird on a wire fits this positioning. They perch on live wires all the time. "A bird on a wire" is possibly a lyrical allusion. Dylan: "Like a bird upon a wire/like a thief in a midnight choir/I have tried in my way to be free". There are other "bird on a wire" references that could also be suitable as allusions.
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11-16-2004
eh
love sp
love how they make me want to be an american suburbanite, lol.
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11-20-2004
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11-26-2004
just where our bones will rest /
to dust i guess /
forgotten and absorbed into the earth below "
thse are my favourite lines!! i thnk cos of how it goes wif the music. it makes me so nostalgic. i so want to be back at when i could still think life sux and i dont care.
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12-01-2004
i love-LOVE-love this song.
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12-03-2004
i love it when he sings
'and i don't even care to shake these zipper blues
and we don't know
just where our bones will rest
to dust i guess '
when i hear this song i picture the street outside my old house, its in the suburbs and its sunset and all the kids in the neighboorhood are out on the road playing footy with eachother or hide and seek, like on dennis the mennice!!!
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12-15-2004
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