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Rise and shine
Oh, uh, me flakes, scrambled eggs, bacon, sausages, toast
coffee marmalade, I like marmalade, porridge any cereal
I like all cereals, oh God
Sunny side up
(Breakfast in Los Angeles, macrobiotic stuff)
Morning glory
Oh, uh, me flakes, scrambled eggs, bacon, sausages, toast
coffee marmalade, I like marmalade, porridge any cereal
I like all cereals, oh God
Sunny side up
(Breakfast in Los Angeles, macrobiotic stuff)
Morning glory
Lyrics submitted by pinkubus_floyd
Track duration: 13:00
"Alan's Psychedelic Breakfast: Rise and Shine/Sunny Side Up/Morning Glor" as written by Mason Gilmour
Lyrics © T.R.O. INC.
Lyrics powered by LyricFind
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There hadn't been much to say about the track by the Floyd, since the piece didn't really deserve mention. One band member's comment was that the idea seemed to come from a bit of stage antics when Roger was throwing potatoes about and they made tea during a show. Also stated that this came off quite well on stage, but didn't really translate on LP. Given the band's history, this was almost certainly during a performance of "The Man and the Journey", performed during the previous year, in 1969. The third section of "The Man" has the band take a tea break on stage, and this idea must have carried on a bit to form this musical interlude for the closing few minutes of the LP. Incidentally, fast forward to Roger Waters 2006-2007 shows, during which he has most band members sit down for a card game during the effects section of Sheep, when most of them would have just been standing around waiting for the next musical verse to kick in.
Alan's Psychedelic Breakfast was actually performed live for a few gigs right at the end of 1970, when there was an attempt to continue this theater experience developed during "The Man" performances. One or several band members fumbled about on stage making breakfast in between the spacey, long delay guitar strumming by Gilmour. This made it onto one boot recording from 12-22-1970 for historical preservation, and sounds quite mellow and nice. Apparently, not the direction the band wanted to go, and subsequent attempts of this bit were dropped heading into 1971, as they started putting together what would become "Echoes" in the studio.
Also, the reason the LP version repeats infinitely at the end is because it has a lock-groove.
It sounds more like a balad... boo!