In regards to the meaning of this song:
Before a live performance on the EP Five Stories Falling, Geoff states “It’s about the last time I went to visit my grandmother in Columbus, and I saw that she was dying and it was the last time I was going to see her. It is about realizing how young you are, but how quickly you can go.”
That’s the thing about Geoff and his sublime poetry, you think it’s about one thing, but really it’s about something entirely different. But the lyrics are still universal and omnipresent, ubiquitous, even. So relatable. That’s one thing I love about this band. I also love their live performances, raw energy and Geoff’s beautiful, imperfectly perfect vocals. His voice soothes my aching soul.
In the corner of my eye
I saw you in Rudy's
You were very high
You were high
It was a cryin' disgrace
They saw your face
On the counter by your keys
Was a book of numbers and your remedies
One of these surely will screen out the sorrow
But where are you tomorrow
I can't cry anymore
While you run around, while you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
Down to Greene Street
There you go
Lookin' so outrageous
And they tell you so
You should know
How all the pros play the game
Then you change your name
Like a gangster on the run
You will stagger homeward to your precious one
I'm the one who must make everything right
Talk it out till daylight
I don't care anymore
Why you run around, why you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
I can't cry anymore
While you run around, while you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
I saw you in Rudy's
You were very high
You were high
It was a cryin' disgrace
They saw your face
On the counter by your keys
Was a book of numbers and your remedies
One of these surely will screen out the sorrow
But where are you tomorrow
I can't cry anymore
While you run around, while you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
Down to Greene Street
There you go
Lookin' so outrageous
And they tell you so
You should know
How all the pros play the game
Then you change your name
Like a gangster on the run
You will stagger homeward to your precious one
I'm the one who must make everything right
Talk it out till daylight
I don't care anymore
Why you run around, why you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
I can't cry anymore
While you run around, while you run around
Break away
Just when it seems so clear
That it's over now
Drink your big black cow
And get out of here
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This is one of my favorite songs. https://fnfgo.io
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I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
No Surprises
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
This is cut and dry. Imagine NYC in the mid-late '70s - before Giuliani "cleaned it up" . Studio 54. Lou Reed. Guy has a Black Cow drinking girlfriend who is a drunk/drug addict. She's a waste of space. He sees here in Rudy's - a dive in Hell's Kitchen. She's wasted, as always. She works tricks "down on Greene St" but is too unravelled to even be a good hooker - He finds out that's what she's up to because she's not smart enough to change her name when she's doing tricks. These are all mid '70s NYC references. Greene St. is in Tribeca/West Village/Meatpacking district (lots of clubs) - in the '70s that area was full of hookers. Today your'e more likely to see Beyonce or Amy Poehler - that entire area is now one of the most expensive places in the USA to live - it's been completely gentrified. But back in the day.. Anyway - every tiime she screws up once again - she staggers home to her "precious one" - the narrator - who has to try to "make everything right" and put the pieces back together. He's sick of it- so tells her to "Drink her big Black Cow" (from Rudy's) and "GetOuttaHere". We all know women like this - screwed up emotional vampires. That's what the song is all about folks.
@bloughmee One more thing - she's likely also a gambler. ("Book of numbers" could be from a bookie - or could be her "Johns". In any case - drugs, booze, gambling, hooking - one or all of those "remedies" will "screen out the sorrow" (temporarily help her forget her problems) --- but then "where are you tomorrow ?" Answer - right back here whre you are now - nowhere. This is a classic, great song.
@bloughmee One more tidbit folks - Both Becker and Fagan are NYC guys. They didn't grow up in Manhattan - but Passaic NJ and Queens NY are close enough - they're NYC guys. Lookin back - they didn't intend this I'm sure, but this song is as much about the state of NYC in the '70s as it is about this particular girl. It's a slice of history. Love it.
@bloughmee awesome nickname :D
@bloughmee You nailed it.
The Black Cow can be a candy-like mixed "high-powered" beverage or it can be indeed a rootbeer float. Our Hero is telling The Lady that he is INDEED through being this lady's sounding board every time one of her relationships with unsuitable fellows goes sour and she comes running back to him. In the cocktail context, a "black cow" is considered a frou-frou party-girl drink. Or, in the context of an ice-cream parlor kiddie beverage, Our Hero is telling the lady that she is acting like a twelve-year-old
I think you nailed the essence of the song here.
The man and woman are just friends. He is stable and conscientious. She is reckless and irresponsible. The song is his internal-monologue. He can never actually say these things to her. He is in love.
I'm through being your crying towell and punching bag, you coked up party girl. See ya!
I think it's cool how he says "on the counter, by your keys, was a book of numbers, and your remedies."
This references back to the ambiguity in "Rikki Don't Lose That Number" about whether a "number" refers to a phone number or a joint. It could be either: a phone number for a friend or a joint can "screen out the sorrow." But the fact that the "numbers" are near the "remedies" definitely suggests a joint, although again, it's ambiguous.
I love how they are referencing themselves, and especially a lyric from the past that was itself ambiguous. And now the same lyric is ambiguous in the same way, many albums later! This band is incredible.
Yeah, I think it is a friend who gets called to console the woman who cheats on her husband...<br /> <br /> She probably meets this guy to confess all the bad things she's done...but it has happened so many times it's become routine and shallow.<br /> <br /> "You should know, how all the pros play the game,<br /> You change your name<br /> Like a gangster, on the run,<br /> You will stagger home, to your precious one" Refers to the woman changing her real name to sleep around because she doesn't want her real name to get out or be known...<br /> Then, when she's finished whoring around she staggers home to her precious husband..<br /> <br /> Pretty straight forward I think.
I've been to Rudy's many times, it's in Hell's Kitchen on 9th Avenue in New York, and it is indeed the kind of place where such things are likely to occur. It's got a big plastic pig outside. Stop by and have a hotdog if you get the chance, it'll put hair on your chest.
lol... I have seen that place on 9th... never went in.
The song Black Cow is about Walter Becker’s drug habit, and Fagen wrote the song to his friend, Becker. It’s widely known that Fagan and Becker brought in expensive session musicians for meticulous creative jams on their LPs. Becker would show up stoned, and Fagen would try to make things right. The song Gaucho is also written about Becker by Donald Fagen. “Just when I say boy we can’t miss. You are golden. Then you do this.” (Becker showed up stoned while they were paying “heavy roller session musicians.”) Who is the gaucho? It’s Walter Becker on heroin, of course. (“Just as your ‘friend’’ will never be welcome here, high (on drugs) in the Custerdome (the building that housed their recording studios.)
@SteelyDeb I was about to write this comment myself. Thank you.
I always thought she was an alcoholic/druggie and he is just tired of her drunken ways and running around so he is telling her to move on so he can.
To me, this is about a man who is hopelessly in love with a hooker who, although not happy, can't stop her trade or the drugs.
"Was a book of numbers/And your remedies/One of these Surely will screen out the sorrow But where are you tomorrow"
This section seals it for me: "Down to Greene Street There you go Lookin' so outrageous And they tell you so You should know How all the pros play the game You change your name "
He must "make everything right " when she comes home.
I think the "Black cow' is just a sideline to the story.
This is about a guy and the girl he's just broken up with. She's a drug addict and alcoholic and had trouble being faithful. She's become a hooker now to feed her drug habit. She drifts into an old hangout -- Rudy's -- where they serve a New York soda fountain drink, made with root beer, vanilla ice cream and chocolate syrup. He's with his friends, and they all see her. She knows she's an outcast with the group. The speaker thinks back about how he always came back to her after being gone for a few days. He thinks she's come back to try to hook up with him, and reconfirms in his own mind that he's done with her and doesn't care if he never sees her again because she caused him too much pain.