1
The young man held a gun to the head of God
Stick this holy cow
Put the audience in action
Let the slaughtered take a bow
The old man's words, white hot knives
Slicing through warm butter
The butter is the heart
The rancid peeling soul
Scratch pictures on asylum walls
Broken nails and matchsticks
hypodermic hypodermic hypodermic
RED FIX
One man's poison another man's meat
One man's agony another man's treat
Artaud lived with his neck paced firmly in the noose
Eyes black with pain,
Limbs in cramps contorted
The theatre and its double
The void and the aborted
THOSE INDIANS WANK ON HIS BONES (repeat)
Stick this holy cow
Put the audience in action
Let the slaughtered take a bow
The old man's words, white hot knives
Slicing through warm butter
The butter is the heart
The rancid peeling soul
Scratch pictures on asylum walls
Broken nails and matchsticks
hypodermic hypodermic hypodermic
RED FIX
One man's poison another man's meat
One man's agony another man's treat
Artaud lived with his neck paced firmly in the noose
Eyes black with pain,
Limbs in cramps contorted
The theatre and its double
The void and the aborted
THOSE INDIANS WANK ON HIS BONES (repeat)
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Nihilists and Leftists love Artaud. In retrospect (I'm no longer the above though once I wrote a paper comparing Brechtian theater with Artaud's "Theater of Cruelty") he was just a tormented schizo who had a problem with God in Christ.
His ravings are fodder for godless academic hipster existential types.
But Bauhaus made a good disturbing discordant song out of it.