The song lyrics were written by the band Van Halen, as they were asked to write a song for the 1979 movie "Over the Edge" starring Matt Dillon. The movie (and the lyrics, although more obliquely) are about bored, rebellious youth with nothing better to do than get into trouble. If you see the movie, these lyrics will make more sense. It's a great movie if you grew up in the 70s/80s you'll definitely remember some of these characters from your own life. Fun fact, after writing the song, Van Halen decided not to let the movie use it.
Wait a minute, baby
Stay with me awhile
Said you'd give me light
But you never told me 'bout the fire
Drowning in the sea of love
Where everyone would love to drown
But now it's gone
It doesn't matter what for
When you build your house
Then call me home
And he was just like a great dark wing
Within the wings of a storm
I think I had met my match, he was singing
And undoing, and undoing the laces
Undoing the laces
Said Sara, you're the poet in my heart
Never change, never stop
But now it's gone
It doesn't matter what for
But when you build your house
Then call me home
Hold on
The night is coming and the starling flew for days
I'll stay home at night, all the time
I'd go anywhere, anywhere, anywhere
Ask me and I'm there, yeah
Ask me and I'm there, I care
In the sea of love
Where everyone would love to drown
But now it's gone
They say it doesn't matter anymore
If you build your house
Then please call me home
Sara, you're the poet in my heart
Never change, and don't you ever stop
Now it's gone
No it doesn't matter anymore
When you build your house
I'll come by
Sara
Sara
Stay with me awhile
Said you'd give me light
But you never told me 'bout the fire
Drowning in the sea of love
Where everyone would love to drown
But now it's gone
It doesn't matter what for
When you build your house
Then call me home
And he was just like a great dark wing
Within the wings of a storm
I think I had met my match, he was singing
And undoing, and undoing the laces
Undoing the laces
Said Sara, you're the poet in my heart
Never change, never stop
But now it's gone
It doesn't matter what for
But when you build your house
Then call me home
Hold on
The night is coming and the starling flew for days
I'll stay home at night, all the time
I'd go anywhere, anywhere, anywhere
Ask me and I'm there, yeah
Ask me and I'm there, I care
In the sea of love
Where everyone would love to drown
But now it's gone
They say it doesn't matter anymore
If you build your house
Then please call me home
Sara, you're the poet in my heart
Never change, and don't you ever stop
Now it's gone
No it doesn't matter anymore
When you build your house
I'll come by
Sara
Sara
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Light Up The Sky
Van Halen
Van Halen
Mountain Song
Jane's Addiction
Jane's Addiction
Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Gentle Hour
Yo La Tengo
Yo La Tengo
This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Amazing
Ed Sheeran
Ed Sheeran
Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Sara was my favorite [song] ~ for that kind of song. Sara was, and is, the love of my life. There are different kinds of favorites. You have your miserable favorites and your happy favorites. I can't pick just one [song]. ~Stevie Nicks, Arizona Living Magazine, September 1983
Dreaming...and the wind became...crazy! And he hugged me, gently. ~Stevie Nicks, additional ending lyrics from an unreleased, 7 minute version of Sara
Sara was pretty much about Mick. So, he was the 'great dark wing'. And, ah, it was about everything that was going on at that particular time, too, but he was the, the reason for the, you know, the beginning of it. ~Stevie Nicks, MTV Fanatic, 1998
Sara [is my most personal song] It's about myself, and what all of us in Fleetwood Mac were going through at the time. The true version of that song is 16 minutes long. It's a saga with many verses people haven't heard. ~Stevie Nicks, Us magazine, July 1990
[On who Sara is] Probably my alter ego, my other self. ~Stevie Nicks, Montreal Interview
I wrote Sara on the piano, by myself. The original Sara was 16 minutes long. Like about nine more verses than what you hear on the record. It got edited down to 14 minutes, down to 11 minutes, down to 9 minutes, down to 7 minutes, down to 4 minutes and 40 seconds. I was to the point where I went, 'Is the word Sara even going to be left in the song?'
I knew that Sara would be very popular because I loved writing that song. I've had more fun writing that...I remember the night I wrote it. 'I sat up with a very good friend of mine whose name is Sara, who was married to Mick Fleetwood. She likes to think it's completely about her, but it's really not completely about her. It's about me, about her, about Mick, about Fleetwood Mac. Its about all of us at that point. There's little bits about each one of us in that song and when it had all the other verses it really covered a vast bunch of people. Sara was the kind of song you could fall in love with, because I fell in love with it... ~Stevie Nicks, Tommy Vance show, May 1994
[On whether the line in the song Sara, 'When you build your house, I'll come by' is about Don Henley, whom she was dating at the time?] (laughs) That is true. He did [build the house]. And I was in it before he finished it. ~Stevie Nicks, Us magazine, July 1990
If I ever have a little girl I will name her Sara. It's a very special name to me. I love singing it on stage. It's the absolute delight of my night. There's so much in Sara. And it is ~ the poet in my heart, for sure. ~Stevie Nicks, Jim Ladd Innerview, 1979
There were some great similarities [in the lyrics], and I never said she didn't write the words she wrote. Just don't tell me I didn't write the words I wrote. Most people think that the other party will settle out of court, but she picked the wrong songwriter. To call me a thief about my first love, my songs, that's going too far. [After a few months, the woman's lawyers finally gave up, stating] 'We believe you.' ~Stevie Nicks, on her lawsuit over the song Sara, Rolling Stone, 1981
Stevie was a "cleaning lady" before she joined FM. I believe it was her producers house that she cleaned.
Supposedly, the song is about an abortion.
jam.canoe.ca/Music/Artists/H/Henley_Don/2000/05/21/745953.html
The first and second verse is about one night Stevie and Mick slept together in which much to Stevie’s surprise, had the kind of sparks most only dream of having, including Stevie’s friend, Sara, whom had a crush on Mick. Because their affair was secret, the only time they could meet was at night, so Stevie would stay home and wait for Mick’s call to meet him somewhere the rest of the band wasn’t. She’s the starling who would literally fly anywhere to be with him, which were random places as he may have been married at the time as well. (When you build your house, call me home.) The bird references are throughout as she is the starling, he is the great dark wing she found comfort in and the laces he undoes are on her boots he’s taking off. The wings of the storm were Stevie and Lindsey breaking up along with Christine and John divorcing. Knowing nothing could ever come of their affair, they ended it. Mick was then free to pursue Sara and visa versa. (Said) Sara, you’re the poet in my heart is Sara and Mick proclaiming their love for each other in their eventual marriage. There’s a heartbeat and it never really died means in spite of everything, the love was still there between Stevie and Mick because it never ran it’s course and faded out, they had to end it because their band was more important. The implication is they would be together otherwise.