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The wind was a torrent of darkness
Among the gusty trees
The moon was a ghostly galleon
Tossed upon the cloudy seas
The road was a ribbon of moonlight
Over the purple moor
When the highwayman came riding,
Riding, riding,
The highwayman came riding
Up to the old inn door.
He'd a french cocked hat at his forehead
A bunch of lace at his chin
A coat of claret velvet
And breeches of brown doe-skin
They fitted with nary a wrinkle
His boots were up to the thigh
And he rode with a jeweled twinkle
His pistol butts a-twinkle
His rapier hilt a-twinkle
Under the jeweled sky.
And over cobbles he clattered
And clashed in the dark inn-yard
And he tapped with his whip on the shutters
But all was locked and barred
He whistled a tune to the window
And who should be waiting there
But the landlord's black-eyed daughter
Bess, the landlord's daughter
Plaiting a dark red love knot
Into her long black hair.
"One kiss my bonny sweetheart,
I'm after a prize tonight
But I should be back with the yellow gold
Before the morning light
Yet if they press me sharply
And harry me through the day
Then look for me by the moonlight,
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."
He rose up right in the stirrups
He scarce could reach her hand
But she loosened her hair in the casement
His face burned like a brand
As a black cascade of perfume
Came tumbling over his breast
And he kissed its waves in the moonlight
Oh, sweet waves in the moonlight
He tugged at his rein in the moonlight
And galloped away to the west.
He did not come at the dawning
He did not come at noon
And out of the tawny sunset
Before the rise of the moon
When the road was a gypsy's ribbon
Looping the purple moor
A redcoat troop came marching
Marching, marching,
King George's men came marching
Up to the old inn door.
They said no word to the landlord
They drank his ale instead
But they gagged his daughter and bound her
To the foot of her narrow bed
Two of them knelt at the casement
With muskets at their side
There was death at every window
Hell at one dark window
For Bess could see through the casement
The road that he would ride.
They had tied her up to attention
With many a sniggering jest
They had bound a musket beside her
With the barrel beneath her breast
"Now keep good watch" and they kissed her
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."
She twisted her hands behind her
But all the knots held good!
But she writhed her hands 'til her fingers
Were wet with sweat or blood
They stretched and strained in the darkness
And the hours crawled by like years
Till now on the stroke of midnight
Cold on the stroke of midnight
The tip of her finger touched it
The trigger at least was hers.
Tot-a-lot, tot-a-lot had they heard it?
The horse's hooves rang clear
Tot-a-lot, tot-a-lot in the distance
Were they deaf they did not hear?
Down the ribbon of moonlight
Over the brow of the hill
The highwayman came riding,
Riding, riding,
The redcoats looked to their priming
She stood up straight and still.
Tot-a-lot in the frosty silence
Tot-a-lot in the echoing night
Nearer he came and nearer
Her face was like a light
Her eyes grew wide for a moment
She drew a last deep breath
Then her finger moved in the moonlight
Her musket shattered the moonlight
Shattered her breast in the moonlight
And warned him with her death.
He turned, he spurred to the west
He did not know she stood
Bowed with her head o'er musket
Drenched with her own red blood
Not till the dawn he heard it
His face grew grey to hear
How Bess the landlord's daughter
The landlord's black-eyed daughter
Had watched for her love in the moonlight,
And died in the darkness there.
And back he spurred like a madman
Shrieking a curse to the sky!
With the white road smoking behind him
And his rapier brandished high!
Blood-red were the spurs in the golden noon
Wine-red was his velvet coat
When they shot him down in the highway
Down like a dog on the highway
And he lay in his blood in the highway
With a bunch of lace at his throat.
Still on a winter's night they say
When the wind is in the trees
When the moon is a ghostly galleon
Tossed upon the cloudy seas
When the road is a ribbon of moonlight
Over the purple moor
A highwayman comes riding,
Riding, riding,
A highwayman comes riding
Up to the old inn door.
Among the gusty trees
The moon was a ghostly galleon
Tossed upon the cloudy seas
The road was a ribbon of moonlight
Over the purple moor
When the highwayman came riding,
Riding, riding,
The highwayman came riding
Up to the old inn door.
He'd a french cocked hat at his forehead
A bunch of lace at his chin
A coat of claret velvet
And breeches of brown doe-skin
They fitted with nary a wrinkle
His boots were up to the thigh
And he rode with a jeweled twinkle
His pistol butts a-twinkle
His rapier hilt a-twinkle
Under the jeweled sky.
And over cobbles he clattered
And clashed in the dark inn-yard
And he tapped with his whip on the shutters
But all was locked and barred
He whistled a tune to the window
And who should be waiting there
But the landlord's black-eyed daughter
Bess, the landlord's daughter
Plaiting a dark red love knot
Into her long black hair.
"One kiss my bonny sweetheart,
I'm after a prize tonight
But I should be back with the yellow gold
Before the morning light
Yet if they press me sharply
And harry me through the day
Then look for me by the moonlight,
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."
He rose up right in the stirrups
He scarce could reach her hand
But she loosened her hair in the casement
His face burned like a brand
As a black cascade of perfume
Came tumbling over his breast
And he kissed its waves in the moonlight
Oh, sweet waves in the moonlight
He tugged at his rein in the moonlight
And galloped away to the west.
He did not come at the dawning
He did not come at noon
And out of the tawny sunset
Before the rise of the moon
When the road was a gypsy's ribbon
Looping the purple moor
A redcoat troop came marching
Marching, marching,
King George's men came marching
Up to the old inn door.
They said no word to the landlord
They drank his ale instead
But they gagged his daughter and bound her
To the foot of her narrow bed
Two of them knelt at the casement
With muskets at their side
There was death at every window
Hell at one dark window
For Bess could see through the casement
The road that he would ride.
They had tied her up to attention
With many a sniggering jest
They had bound a musket beside her
With the barrel beneath her breast
"Now keep good watch" and they kissed her
She heard the dead man say
"Look for me by the moonlight
Watch for me by the moonlight
I'll come to thee by the moonlight
Though hell should bar the way."
She twisted her hands behind her
But all the knots held good!
But she writhed her hands 'til her fingers
Were wet with sweat or blood
They stretched and strained in the darkness
And the hours crawled by like years
Till now on the stroke of midnight
Cold on the stroke of midnight
The tip of her finger touched it
The trigger at least was hers.
Tot-a-lot, tot-a-lot had they heard it?
The horse's hooves rang clear
Tot-a-lot, tot-a-lot in the distance
Were they deaf they did not hear?
Down the ribbon of moonlight
Over the brow of the hill
The highwayman came riding,
Riding, riding,
The redcoats looked to their priming
She stood up straight and still.
Tot-a-lot in the frosty silence
Tot-a-lot in the echoing night
Nearer he came and nearer
Her face was like a light
Her eyes grew wide for a moment
She drew a last deep breath
Then her finger moved in the moonlight
Her musket shattered the moonlight
Shattered her breast in the moonlight
And warned him with her death.
He turned, he spurred to the west
He did not know she stood
Bowed with her head o'er musket
Drenched with her own red blood
Not till the dawn he heard it
His face grew grey to hear
How Bess the landlord's daughter
The landlord's black-eyed daughter
Had watched for her love in the moonlight,
And died in the darkness there.
And back he spurred like a madman
Shrieking a curse to the sky!
With the white road smoking behind him
And his rapier brandished high!
Blood-red were the spurs in the golden noon
Wine-red was his velvet coat
When they shot him down in the highway
Down like a dog on the highway
And he lay in his blood in the highway
With a bunch of lace at his throat.
Still on a winter's night they say
When the wind is in the trees
When the moon is a ghostly galleon
Tossed upon the cloudy seas
When the road is a ribbon of moonlight
Over the purple moor
A highwayman comes riding,
Riding, riding,
A highwayman comes riding
Up to the old inn door.
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The song is a tale of lovers who were about to run off together, after the highwayman did one last robbery. But the soldiers came to the inn where his lover lived and took her captive so they could kill him. She died to save his life, but in the end his rage over her death was his end. But the ending is amazing, for in death they are together again.
its strange in the poem even though you know the highwayman is a villain and king georges men are just trying to get rid of a public problem, you sympathise more with the highwayman and king georges men are made to be the villains, and it mainly comes down to the treatment of bess.
the highwayman gets the heroic status because of the deep love between he and bess but king georges men treat bess appalingly, and basically stop the love between them, so even though they're politically in the right, it shows from a point where you sympathise through people from their emotions, not their actions.
I admit I didn't like the song when I first heard it, but then I didn't listen to the lyrics. The moment that I did this song revealed its flawless, perfect, utter beauty. Like so many others here it made me cry, and it still does. Loreena McKennitt is one of the few musicians who can touch me this deeply- depending on her songs I feel joy, sadness, melancholy, longing, aching for distant countries... I really wish I could meet her one day to thank her for all she has given me.
even though it was wrong what he did he didnt deserve to meet that horrid end!!!
Here is the verse...it is the fourth verse in the original version, right before the stanza that starts out "one kiss, my bonny sweetheart." The emphasis is mine.
"And dark in the old inn-yard a stable-wicket creaked
Where Tim the ostler listened; his face was white and peaked;
His eyes were hollows of madness, his hair like mouldy hay,
BUT HE LOVED THE LANDLORD'S DAUGHTER,
THE LANDLORD'S RED-LIPPED DAUGHTER,
Dumb as a dog he listened, and he heard the robber say..."
One is supposed to infer that Tim, who is just a touch mental, snitched to the redcoats so that the highwayman would be arrested and Tim would have Bess all to himself. This makes the poem that much more tragic, because in trying to win Bess, Tim ends up indirectly causing her death.