So this has been.my favorite song of OTEP's since it came out in 2004, and I always thought it was a song about a child's narrative of suffering in an abusive Christian home. But now that I am revisiting the lyrics, I am seeing something totally new.
This song could be gospel of John but from the perspective of Jesus.
Jesus was NOT having a good time up to and during the crucifixion. Everyone in the known world at the time looked to him with fear, admiration or disgust and he was constantly being asked questions. He spoke in "verses, prophesies and curses". He had made an enemy of the state, and believed the world was increasingly wicked and fallen from grace, or that he was in the "mouth of madness".
The spine of atlas is the structure that allows the titan to hold the world up. Jesus challenged the state and in doing so became a celebrated resistance figure. It also made him public enemy #1.
All of this happened simply because he was doing his thing, not because of any agenda he had or strategy.
And then he gets scourged (storm of thorns)
There are some plot holes here but I think it's an interesting interpretation.
When cops are taking care of business I can understand
But the L.A. story's gone way out of hand
Their acts of aggression, they say they're justified
But it seems an obsession has started from the inside
They're shooting anyone who even tries to run
They're shooting little kids with toy guns
Take it to a jury but they don't give a damn
Because the one who tells the truth is always the policeman
Beat all the niggers
Beat whoever you see
Don't need a reason
(We're) L.A.P.D.
The city of L.A. feels like a prison
With helicopters overhead and bullets whizzing by
Martial law ain't no solution
Police brutality's just social pollution
Beat all the white trash
Beat whoever you see
Don't need a reason
(We're) L.A.P.D.
They say they're keeping the peace
But I'm not buying it because a billy club ain't much of a pacifier
"Protecting your freedom"
Now that's just a lie
It's an excuse for power that's more like an alibi
Law and order doesn't really matter
When you're the one getting bruised and battered
You take it to a jury, they'll throw it in your face
Because justice in L.A. comes in a can of mace
But the L.A. story's gone way out of hand
Their acts of aggression, they say they're justified
But it seems an obsession has started from the inside
They're shooting anyone who even tries to run
They're shooting little kids with toy guns
Take it to a jury but they don't give a damn
Because the one who tells the truth is always the policeman
Beat all the niggers
Beat whoever you see
Don't need a reason
(We're) L.A.P.D.
The city of L.A. feels like a prison
With helicopters overhead and bullets whizzing by
Martial law ain't no solution
Police brutality's just social pollution
Beat all the white trash
Beat whoever you see
Don't need a reason
(We're) L.A.P.D.
They say they're keeping the peace
But I'm not buying it because a billy club ain't much of a pacifier
"Protecting your freedom"
Now that's just a lie
It's an excuse for power that's more like an alibi
Law and order doesn't really matter
When you're the one getting bruised and battered
You take it to a jury, they'll throw it in your face
Because justice in L.A. comes in a can of mace
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Anyone ever notice how much the bridge solo and part of the little riff right before the chorus sound like parts of Police Truck by the Dead Kennedys? The Offspring, especially Dex, always cited DK as a bit influence, that's a cool little tribute. The songs cover similar topics, too.