This is about bronies. They communicate by stomping.
If language were liquid
It would be rushing in
Instead here we are
In a silence more eloquent
Than any word could ever be
These words are too solid
They don't move fast enough
To catch the blur in the brain
That flies by and is gone
Gone
Gone
Gone
I'd like to meet you
In a timeless, placeless place
Somewhere out of context
And beyond all consequences
Let's go back to the building
(Words are too solid)
On Little West Twelfth
It is not far away
(They don't move fast enough)
And the river is there
And the sun and the spaces
Are all laying low
(To catch the blur in the brain)
And we'll sit in the silence
(That flies by and is)
That comes rushing in and is
Gone (Gone)
I won't use words again
They don't mean what I meant
They don't say what I said
They're just the crust of the meaning
With realms underneath
Never touched
Never stirred
Never even moved through
If language were liquid
It would be rushing in
Instead here we are
In a silence more eloquent
Than any word could ever be
And is gone
Gone
Gone
And is gone
It would be rushing in
Instead here we are
In a silence more eloquent
Than any word could ever be
These words are too solid
They don't move fast enough
To catch the blur in the brain
That flies by and is gone
Gone
Gone
Gone
I'd like to meet you
In a timeless, placeless place
Somewhere out of context
And beyond all consequences
Let's go back to the building
(Words are too solid)
On Little West Twelfth
It is not far away
(They don't move fast enough)
And the river is there
And the sun and the spaces
Are all laying low
(To catch the blur in the brain)
And we'll sit in the silence
(That flies by and is)
That comes rushing in and is
Gone (Gone)
I won't use words again
They don't mean what I meant
They don't say what I said
They're just the crust of the meaning
With realms underneath
Never touched
Never stirred
Never even moved through
If language were liquid
It would be rushing in
Instead here we are
In a silence more eloquent
Than any word could ever be
And is gone
Gone
Gone
And is gone
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Bron-Y-Aur Stomp
Led Zeppelin
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Mountain Song
Jane's Addiction
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
No Surprises
Radiohead
Radiohead
Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Just A Little Lovin'
Dusty Springfield
Dusty Springfield
I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Page
Ed Sheeran
Ed Sheeran
There aren’t many things that’ll hurt more than giving love a chance against your better judgement only to have your heart crushed yet again. Ed Sheeran tells such a story on “Page.” On this track, he is devastated to have lost his lover and even more saddened by the feeling that he may never move on from this.
I think this song is pretty straight-forward. It's about how sometimes words seem overrated and clumsy when you're in love. It doesn't feel right talking. Silence connects the two people better than words. Words could never describe the way they feel.
I adore the lines: "I'd like to meet you In a timeless, placeless place Somewhere out of context And beyond all consequences"
If you've ever been in love or infatuated with someone, you'll get that feeling when you want to leave the place and people, the contex in which the relationship is at the moment, and just be with that person alone without the feeling of a given time peroid at the end of which you have to part.
look for my inout on other suzzane vega songs especially queen and soldier i am !@#$%^&*()
i agree with kristina ks although......... it doesnt have to be about love it too like the parts she liked however my favourite part is If language were liquid It would be rushing in Instead here we are In a silence more eloquent Than any word could ever be
These words are too solid They don't move fast enough To catch the blur in the brain That flies by and is gone
it is very very straight forward and in that words are too slow and dont say what you say or describe how you feel now matter how articulate you are
in saying if language were liquid it would be rushing in she shows how much faster we think than we talk and how deep all of us can be and are but for some more than others the blur it the brain will never be even attempted to be described in words nor the eloquent silence wi=hich of course is much more fitting
Fantastic song. I feel like that very often. Obviously, I don't talk much.
When these words go with the music, they're like the best poetry i've ever heard, liquid, out of context, beyond all consequences.