This is about bronies. They communicate by stomping.
Standing on the corner
Suitcase in my hand
Jack is in his corset, and Jane is her vest
And me, I'm in a rock 'n roll band, ha
Ridin' in a Stutz Bearcat, Jim
You know, those were different times
Oh, all the poets, they studied rules of verse
And those ladies, they rolled their eyes
Sweet Jane, whoa
Sweet Jane, oh-oh
Sweet Jane
I'll tell you something, Jack, he is a banker
And Jane, she is a clerk
And both of them save their monies, ha
And when, when they come home from work
Ooh, sittin' down by the fire, oh
The radio does play
The classical music there, Jim
"The March of the Wooden Soldiers"
All you protest kids
You can hear Jack say, get ready, ah
Sweet Jane, ah, come on, baby
Sweet Jane, oh-oh
Sweet Jane
Some people, they like to go out dancing
And other peoples, they have to work, just watch me now
And there's even some evil mothers
Well, they're gonna tell you that everything is just dirt
You know that women never really faint
And that villains always blink their eyes, ooh
And that, you know, children are the only ones who blush
And that life is just to die
But everyone who ever had a heart
Oh, they wouldn't turn around and break it
And anyone who ever played a part
Oh, they wouldn't turn around and hate it
Sweet Jane, oh-oh
Sweet Jane
Sweet Jane
Heavenly wine and roses
Seem to whisper to her when he smiles, ah
Heavenly wine and roses
Seem to whisper to her, hey, when she smiles
La-la-la-la, la-la-la
La-la-la-la, la-la-la
La-la-la-la, la-la-la
La-la-la-la, la-la-la
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Suitcase in my hand
Jack is in his corset, and Jane is her vest
And me, I'm in a rock 'n roll band, ha
Ridin' in a Stutz Bearcat, Jim
You know, those were different times
Oh, all the poets, they studied rules of verse
And those ladies, they rolled their eyes
Sweet Jane, whoa
Sweet Jane, oh-oh
Sweet Jane
I'll tell you something, Jack, he is a banker
And Jane, she is a clerk
And both of them save their monies, ha
And when, when they come home from work
Ooh, sittin' down by the fire, oh
The radio does play
The classical music there, Jim
"The March of the Wooden Soldiers"
All you protest kids
You can hear Jack say, get ready, ah
Sweet Jane, ah, come on, baby
Sweet Jane, oh-oh
Sweet Jane
Some people, they like to go out dancing
And other peoples, they have to work, just watch me now
And there's even some evil mothers
Well, they're gonna tell you that everything is just dirt
You know that women never really faint
And that villains always blink their eyes, ooh
And that, you know, children are the only ones who blush
And that life is just to die
But everyone who ever had a heart
Oh, they wouldn't turn around and break it
And anyone who ever played a part
Oh, they wouldn't turn around and hate it
Sweet Jane, oh-oh
Sweet Jane
Sweet Jane
Heavenly wine and roses
Seem to whisper to her when he smiles, ah
Heavenly wine and roses
Seem to whisper to her, hey, when she smiles
La-la-la-la, la-la-la
La-la-la-la, la-la-la
La-la-la-la, la-la-la
La-la-la-la, la-la-la
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Sweet Jane
Lyrics submitted by capitol76, edited by rosalyre, Mellow_Harsher, Dianimal66, zhizhumao
Sweet Jane Lyrics as written by Lou Reed
Lyrics © Sony/ATV Music Publishing LLC
Lyrics powered by LyricFind
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
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Same ideas expressed in Fitter, Happier are expressed in this song. We're told to strive for some sort of ideal life, which includes getting a good job, being kind to everyone, finding a partner, getting married, having a couple kids, living in a quiet neighborhood in a nice big house, etc. But in Fitter, Happier the narrator(?) realizes that it's incredibly robotic to live this life. People are being used by those in power "like a pig in a cage on antibiotics"--being pacified with things like new phones and cool gadgets and houses while being sucked dry. On No Surprises, the narrator is realizing how this life is killing him slowly. In the video, his helmet is slowly filling up with water, drowning him. But he's so complacent with it. This is a good summary of the song. This boring, "perfect" life foisted upon us by some higher powers (not spiritual, but political, economic, etc. politicians and businessmen, perhaps) is not the way to live. But there is seemingly no way out but death. He'd rather die peacefully right now than live in this cage. While our lives are often shielded, we're in our own protective bubbles, or protective helmets like the one Thom wears, if we look a little harder we can see all the corruption, lies, manipulation, etc. that is going on in the world, often run by huge yet nearly invisible organizations, corporations, and 'leaders'. It's a very hopeless song because it reflects real life.
Amazing
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Ed Sheeran tells a story of unsuccessfully trying to feel “Amazing.” This track is about the being weighed down by emotional stress despite valiant attempts to find some positivity in the situation. This track was written by Ed Sheeran from the perspective of his friend. From the track, we see this person fall deeper into the negative thoughts and slide further down the path of mental torment with every lyric.
Plastic Bag
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“Plastic Bag” is a song about searching for an escape from personal problems and hoping to find it in the lively atmosphere of a Saturday night party. Ed Sheeran tells the story of his friend and the myriad of troubles he is going through. Unable to find any solutions, this friend seeks a last resort in a party and the vanity that comes with it.
“I overthink and have trouble sleepin’ / All purpose gone and don’t have a reason / And there’s no doctor to stop this bleedin’ / So I left home and jumped in the deep end,” Ed Sheeran sings in verse one. He continues by adding that this person is feeling the weight of having disappointed his father and doesn’t have any friends to rely on in this difficult moment. In the second verse, Ed sings about the role of grief in his friend’s plight and his dwindling faith in prayer. “Saturday night is givin’ me a reason to rely on the strobe lights / The lifeline of a promise in a shot glass, and I’ll take that / If you’re givin’ out love from a plastic bag,” Ed sings on the chorus, as his friend turns to new vices in hopes of feeling better.
Lou wrote lots of songs about drugs...and transvestites for that matter...but Sweet Jane is not either. It's about correcting the misplaced notion among the "protest kids" that prior generations were trapped in society's shackles and that only the current generation knows how to live free of them. The singer realizes the falsehood in those premises for both generations -- we all alternate between living honestly and dishonestly, following our heart and playing a part. The song is an appeal for inter-generational understanding, as clearly summed up in the final lines...which he screams to make sure you're hearing them:
Narratively, Jack & Jane are an older couple the singer sees on the street. He immediately makes assumptions about them based on their dress. Jack is in a "corset"...a derisive metaphor for restrictive garb, likely a business suit. Jane is likewise dressed for work in a vest. But the singer catches himself in his derision by noting that he's also wearing something "put on"...his rock & roll band...and laughes at his own hypocrisy.
What follows is a reverie on what he imagines their life to have been...they were young once too and wild in their own right. Then they got older, settled into life, and made a trade-off (working for a living) in order to enjoy the comforts of love (settling down by the fire with their music). In particular, he wants the protest kids to hear that last part...those compromises they deride were all done for the love of Sweet Jane.
In the final verse, the singer acknowledges that although people make different choices, we're all basically the same...it's only self-deception that makes us intolerant of the other camp. Isn't he working at his band after all ("Just watch me now")? And all of those people who hurl dirt at the other camp -- call them dishonest and affected -- well they're just angry because they haven't found life's purpose yet. Maybe that's art (rock & roll) and maybe that's love (Jane), but without it there is no point. Along the way, we all put on dishonest garb in the morning and strip it off at the end of the day. So we all need to be a little more forgiving, because:
right on!
That was excellent, thank you for posting it.
Yes, fantastic. I had a sense that this was the sense, but you've nailed it. If by chance you're still following this (after almost 3 years!), maybe you can say a bit more about that refrain you touch on at the end ("…but anyone who ever had a heart, they wouldn't turn around and break it…"). Why "…it"? It sounds as if he's talking about people breaking their OWN hearts, where the sense would seem to require "…turn around and break one" (i.e., someone else's). The "it" confuses me, but maybe it's meant to. Maybe the idea is that we all (whether or not we admit it) have a heart that can easily be broken, and we all must play roles–at some level, it's all the same sort of role-playing, and it's all the same human heart underneath it all?
I agree with this interpretation. I owned the banana album with the pealable cover in the late 60's and loved the velvet underground. I loved the lyrics because they were real and raw. I remember sitting on the park bench with my buds and a guy in a suit walked by and my friend says "hey, how do you like wearing that uniform?'. The "suit" says, how do you like wearing yours?' Ha Ha We looked at each other and realized he was right! We all had on jeans, t-shirts, denim or leather jackets. Our uniform! I think This is what I hear Lou Reed saying in Sweet Jane. Dont judge, you protest kids" because you will be old and conform some day.
@ErikD This is such an insightful and convincing analysis. I've loved this song for ages but never really dug into the lyrics. Thanks!
@ErikD <br /> <br /> Not saying I agree - or don't. Don't matter. <br /> <br /> Just wanted to say thank you for taking the time and going to the effort of writing those thoughts. <br /> <br /> Provided me, mongst many, with a new perspective and ideas. <br /> <br /> Much appreciated and so refreshing. <br /> <br /> Props, fella'
have you ever cried because you DIDN'T write the song?
Here's my personal interpretation of this song. First, is a look into the past, describing the youthful and more rebellious days of Jack and Jane. Then, in the present, the narrator (Lou) is in his band, while Jack and Jane work classic 9 to 5 jobs,listening to traditional music and generally being responsible adults. After the chorus, the lyrics broaden from meditation Jack and Jane to a general thoughts about life choices and people. Here, each line should be disected.
Some people they like to go out dancin and other people they have to work. These lines are again comparing two competing life styles, the one type being like Jack and Jane's and the other being like Lou's.
and there's even some evil mothers Well there gonna tell you that everthing is just dirt These lines perhaps show how others, like parents, will say that every choice is wrong.
you know that women never really faint This gives evidence that women only pretend to be weak but are actually cognizant of their actions - something not being what it seems.
and that villians always blink their eyes Villians are not infalliable, but always blink,ie a second where they cannot see, are still human,
that children are the only ones who blush Children here are the only ones who show their emotions, saying that in adult looks are decieving, making it difficult to discern what they are truly feeling and thinking
and that life is just to die Clearly, Lou doesn't believe that there is not a goal in life, no ergon
But anyone who ever had a heart they wouldn't turn around and break it and anyone who ever played a part They wouldn't turn around and hate it These last lines are a continuation of the general idea behind this song. The songs seems to be a meditation on life choices that the writer has made, the life of a singer in a band versus the idealized white picket fence life. The lyrics and tone seems to mock Jack and Jane, making them appear boring and stuffy. Yet despite the cynical tone, the writer doesn't actually seem so sure that the life of Jack and Jill is really bad. Others people's opinions, such as the mother, isn't reliable,as they will dislike everything. The next three lines shows how difficult it is to judge other lifestyles, considering how impossible it is to read manipulative adults. The writer than asserts that life has no end goal, thus it is quite open towards what life is the best - here implied that one might as well live it up. Immediately after leaning towards his lifestyle, he is pulled back into uncertainty after thinking about why Jack and Jane choose their boring life- they wouldn't just decide to live a horribly bland life and couldn't just hate their rebellious glory days: there must be something good that made them live the way they live now. In the end, no conclusion has been sufficiently reached, making this song one huge question:whether he or Jack and Jane made better choices and life a more fulfilling life.
So True! I Applaud you!
This is a great song. Really catchy. Lou Reed is perhaps the only person who knows what all the parts to this song means, and maybe it doesnt matter. This song, on Loaded, shows VU's obvious progression towards complete Lou Reed control. This song could have easily been in his solo career, and many think it is. Thanks Lou
i think this song is about common people. and how they wouldnt mind being jsut common people as long as they got to do what they wanted.
I created an account on this silly website, just to say that I think ErikD's interpretation, above, from 03-31-2010, is great stuff. He really nails it.
This is a song about how our preconceived notions are not always correct. Maybe it's obvious, but it's worth noting (since some other posters seem confused about this): the lines about women, villains and children are a challenge to common stereotypes. In Victorian dramas and classic Hollywood films, the women faint when they're shocked. The song's narrator says that's baloney. Similarly, it's a stereotype of the evil villain that they stare intently and never blink. Baloney. So I guess he's saying that the idea of a blushing adult (e.g. blushing virgins) is just silly, because in real life adults don't blush.
And it's in that spirit of confronting reality, that we have to see that life inevitably ends in death.
By the way, I second the opinion: one of the greatest rock songs ever.
Now I'm going to have to go check out the version on "Fully Loaded" to hear the rest of the song.
Yes, but even as he acknowledges the silliness of those stereotypes, he's ultimately affirming life, I think. He's not sneering down his nose at Jack and Jane like they're stupid; he can see that they're on to something, because they're still having a good time after all those years, despite being old and square and middle-class. Remember, when he wrote this, he was living in NYC among some very shallow, cynical, snobby, filthy-rich people, the type who would definitely look down on Jack and Jane and dismiss them as boring, middlebrow fools. I think LR is sticking up for them, in a very knowing, roundabout way.
"The March of the Wooden Soldiers" is the name of a piece of classical music. It's a famous part from Tchaikovsky's "The Nutcracker." That's actually not the original name for it, but that's how it's become commonly known. If you heard "The March of the Wooden Soldiers" you would probably recognize it.
It's definitely not a reference to the Laurel and Hardy film. Come on, people... are you trying to make me laugh? You succeeded.
I like a lot of these interpretations. I like that there are many. Has anyone suggested that the lines
"and there's even some evil mothers Well there gonna tell you that everthing is just dirt you know that women never really faint and that villians always blink their eyes that children are the only ones who blush and that life is just to die"
go together? In other words, the "evil mothers" are destroying fantasy. Everything is MORE than dirt. Life is NOT just for dying. Because the next lines
"But anyone who ever had a heart they wouldn't turn around and break it"
finish the sentence. Either way, the thing I agree with people the most on is that this song is just great.
Yes! Those lines you quoted are brilliant, the way they add just enough subtle irony to show that the narrator is looking at the world with open eyes. After all, it's true that women don't faint and that villains blink their eyes, but even knowing this, even seeing the flaws in these people's corny, romantic view of life, despite all that, the narrator is making a knowing, deliberate choice not to be cynical. And that, to me, is what makes this song convincing and truly moving as opposed to merely sentimental. The narrator is not naive, he knows life is not a corny movie, and yet he's choosing to believe in love anyway. Only someone as savvy and in touch with the dark side as LR could have pulled this off. Bravo.
It's an ode to the transcendental. Little moments that we forget or take for granted in our everyday lives, but moments that we live for nonetheless. A connection to the holy that is different for everyone, and everyone experiences, not only reserved for the poets and artists.
Even Jack the Banker and Jane the Clerk, the two "squarest" people imaginable at the time of the 60s counterculture, when they listen to classical music, "all you protest kids, you can hear Jack say, Sweet Jane." In other words, we're all connected to something divine, so don't think you're better or cooler. Being in the know is irrelevant, it's that moment of bliss we all have within us. The words Sweet Jane merely serve to personify that transcendence.
The heavenly wine and roses part at the end, describe a woman in love who experiences her Sweet Jane when her lover smiles.
This song goes with "Rock N Roll" the next track as a sort of diptych, where Lou expresses his Sweet Jane to be the state rocknroll takes him to. It's his holy moment in himself that saves him from himself and the dreariness of this world. And me too for that matter. That is all
Seems most take the lines:
"And women never really faint And that villains always blink their eyes And that children are the only ones who blush And that life is just to die"
At face value, but I am almost positive he's saying don't buy it, because it's just some more crap slung by "some evil mothers" trying to bring you down because they're miserable (or whatever reason). Lou is saying don't believe it because life is good and that magic can occur at any time in your life. Life's not "made outta dirt".