This song seemingly tackles the methods of deception those who manipulate others use to get victims to follow their demands, as well as diverting attention away from important issues. They'll also use it as a means to convince people to hate or kill others by pretending acts of terrorism were committed by the enemy when the acts themselves were done by the masters of control to promote discrimination and hate. It also reinforces the idea that these manipulative forces operate in various locations, infiltrating everyday life without detection, and propagate any and everywhere.
In general, it highlights the danger of hidden agendas, manipulation, and distraction, serving as a critique of those who exploit chaos and confusion to control and gain power, depicting a cautionary tale against falling into their traps. It encourages us to question the narratives presented to us and remain vigilant against manipulation in various parts of society.
[I. Prelude - Instrumental]
[II. Resurrection]
I saw a white light shining there before me
And walking to it, I waited for the end
A final vision promising salvation
A resurrection for a fallen man
Do you still wait for your God
and the symbol of your faith?
I can free you from this hell and misery
You should never be ashamed, my son
I can give you power beyond anything
Trust me you will be the chosen one
I was forgotten, a body scorned and broken
My soul rejected, tainted by his blood
Beyond redemption, a sinner not worth saving
Forever taken from the one I loved
Do I still wait for my God
and a symbol of my faith?
I can lead you down the path and back to life
All I ask is that you worship me
I can help you seek revenge and save yourself
Give you life for all eternity
Servants of the fallen fight to pave the way
for their savior's calling on this wicked day
Through a veil of madness, with a vicious blade,
one man rises up standing in their way
(Redemption) Redemption
(For humanity) Redemption for humanity
[II. Resurrection]
I saw a white light shining there before me
And walking to it, I waited for the end
A final vision promising salvation
A resurrection for a fallen man
Do you still wait for your God
and the symbol of your faith?
I can free you from this hell and misery
You should never be ashamed, my son
I can give you power beyond anything
Trust me you will be the chosen one
I was forgotten, a body scorned and broken
My soul rejected, tainted by his blood
Beyond redemption, a sinner not worth saving
Forever taken from the one I loved
Do I still wait for my God
and a symbol of my faith?
I can lead you down the path and back to life
All I ask is that you worship me
I can help you seek revenge and save yourself
Give you life for all eternity
Servants of the fallen fight to pave the way
for their savior's calling on this wicked day
Through a veil of madness, with a vicious blade,
one man rises up standing in their way
(Redemption) Redemption
(For humanity) Redemption for humanity
Lyrics submitted by Idan, edited by JucaOPastor, Octavarium64
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Son Şansın - Şarkı Sözleri
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Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
I Can't Go To Sleep
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
When We Were Young
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Well, the bulk of the lyrical content comes from a Korean comic (manhwa) called "Priest." Part 1 is mostly the first half of volume one, where we learn of Ivan Isaacs, a priest who falls in love with a woman. The two of them are sentenced to execution by the Church (which is being misled by a fallen angel.) In the final moments of his life, he strikes a deal with another Demon who seeks revenge on the Church. If you doubt this, take a stop into your local Borders, Barnes and Noble, or better yet, Independently Owned Comic Shop with a decent selection of Manga and Manhwa. Find Priest, Volume 1 and read the back cover and the first few pages. It's right there. Plus, I read somewhere that Petrucci admitted to it, which is pretty cool of him, as opposed to other songwriters who might act dodgy about such things.
Some snobbish types out there might call it plagiarism, but I just call it awesome :D I like it when musicians take inspiration from fiction (a la Rime of the Ancient Mariner.) If a prog metal or power metal group did a song based on Berserk! (a Japanese series,) I think my head would explode (and happily so.)
Pts. 1 and 2 are INCREDIBLE!
Great song!
Wouldn't "One man rises UP" make more sense? Instead of "One man rises on".
I haven't think so much about the lyrics yet... just to say that this song is great. Maybe I like pt2 a little more because James sings better than in this part, but the song is great... I think this is one of the best DT albums!! (Anyway, for me Awake will be always the best because was where I discovered them)... See you
"Why I believe Jesus will return after a return to world government"
google commercial explains everything:)
wow I'm not a huge fan of dream theater, I like some songs, when I heard this CD was coming out, I had to download it. I listen to about 5 minutes of the first track(this song) and I was blown away, if the rest of the songs are going to sound like this, then I will be amazed. :)
-Aaron
Minor corrections:
"Resurrection" has one "s" The second part should be "Do I still wait for my god?"
Bought it as soon as I could today. Trying to figure out what song the very start is from. I hear a bit of sacrificed sons in there.
Listened to some stuff, I think it's Another Dimension, the part before the song dials down, then has the accordian sound.