Jane's Addiction vocalist Perry Farrell gives Adam Reader some heartfelt insight into Jane’s Addiction's hard rock manifesto "Mountain Song", which was the second single from their revolutionary album Nothing's Shocking. Mountain song was first recorded in 1986 and appeared on the soundtrack to the film Dudes starring Jon Cryer. The version on Nothing's Shocking was re-recorded in 1988.
"'Mountain Song' was actually about... I hate to say it but... drugs. Climbing this mountain and getting as high as you can, and then coming down that mountain," reveals Farrell. "What it feels to descend from the mountain top... not easy at all. The ascension is tough but exhilarating. Getting down is... it's a real bummer. Drugs is not for everybody obviously. For me, I wanted to experience the heights, and the lows come along with it."
"There's a part - 'Cash in now honey, cash in Miss Smith.' Miss Smith is my Mother; our last name was Smith. Cashing in when she cashed in her life. So... she decided that, to her... at that time, she was desperate. Life wasn't worth it for her, that was her opinion. Some people think, never take your life, and some people find that their life isn't worth living. She was in love with my Dad, and my Dad was not faithful to her, and it broke her heart. She was very desperate and she did something that I know she regrets."
Frankly, Mr. Shankly, this position I've held
It pays my way, and it corrodes my soul
I want to leave, you will not miss me
I want to go down in musical history
Frankly, Mr. Shankly, I'm a sickening wreck
I've got the twenty first century breathing down my neck
I must move fast, you understand me
I want to go down in celluloid history, Mr. Shankly
Fame, fame, fatal fame
It can play hideous tricks on the brain
But still I'd rather be famous
Than righteous or holy
Any day, any day, any day
But sometimes I feel more fulfilled
Making Christmas cards with the mentally ill
I want to live and I want to love
I want to catch something that I might be ashamed of
Frankly, Mr. Shankly, this position I've held
It pays my way and it corrodes my soul
Oh, I didn't realise that you wrote poetry
I didn't realise you wrote such bloody awful poetry, Mr. Shankly
Frankly, Mr. Shankly, since you ask
You are a flatulent pain in the ass
I do not mean to be so rude
Still, I must speak frankly, Mr. Shankly
Oh, give us your money
It pays my way, and it corrodes my soul
I want to leave, you will not miss me
I want to go down in musical history
Frankly, Mr. Shankly, I'm a sickening wreck
I've got the twenty first century breathing down my neck
I must move fast, you understand me
I want to go down in celluloid history, Mr. Shankly
Fame, fame, fatal fame
It can play hideous tricks on the brain
But still I'd rather be famous
Than righteous or holy
Any day, any day, any day
But sometimes I feel more fulfilled
Making Christmas cards with the mentally ill
I want to live and I want to love
I want to catch something that I might be ashamed of
Frankly, Mr. Shankly, this position I've held
It pays my way and it corrodes my soul
Oh, I didn't realise that you wrote poetry
I didn't realise you wrote such bloody awful poetry, Mr. Shankly
Frankly, Mr. Shankly, since you ask
You are a flatulent pain in the ass
I do not mean to be so rude
Still, I must speak frankly, Mr. Shankly
Oh, give us your money
Lyrics submitted by weezerific:cutlery
Frankly, Mr. Shankly Lyrics as written by Johnny Marr Steven Morrissey
Lyrics © Universal Music Publishing Group, Warner Chappell Music, Inc.
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Mountain Song
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This song was originally written by a guy called Peter Gutteridge. He was one of the founders of the "Dunedin Sound" a musical scene in the south of New Zealand in the early 80s. From there it was covered by "The Clean" one of the early bands of that scene (he had originally been a member of in it's early days, writing a couple of their best early songs). The Dunedin sound, and the Clean became popular on american college radio in the mid to late 80s. I guess Yo La Tengo heard that version.
Great version of a great song,
I Can't Go To Sleep
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This song is written as the perspective of the boys in the street, as a whole, and what path they are going to choose as they get older and grow into men. (This is why the music video takes place in an orphanage.) The seen, and unseen collective suffering is imbedded in the boys’ mind, consciously or subconsciously, and is haunting them. Which path will the boys choose? Issac Hayes is the voice of reason, maybe God, the angel on his shoulder, or the voice of his forefathers from beyond the grave who can see the big picture and are pleading with the boys not to continue the violence and pattern of killing their brothers, but to rise above. The most beautiful song and has so many levels. Racism towards African Americans in America would not exist if everyone sat down and listened to this song and understood the history behind the words. The power, fear, pleading in RZA and Ghostface voices are genuine and powerful. Issac Hayes’ strong voice makes the perfect strong father figure, who is possibly from beyond the grave.
Just A Little Lovin'
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I don't think it's necessarily about sex. It's about wanting to start the day with some love and affection. Maybe a warm cuddle. I'm not alone in interpreting it that way! For example:
"'Just a Little Lovin’ is a timeless country song originally recorded by Eddy Arnold in 1954. The song, written by Eddie Miller and Jimmy Campbell, explores the delicate nuances of love and showcases Arnold’s emotive vocals. It delves into the universal theme of love and how even the smallest gesture of affection can have a profound impact on our lives." https://oldtimemusic.com/the-meaning-behind-the-song-just-a-little-lovin-by-eddy-arnold/
Punchline
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Ed Sheeran sings about missing his former partner and learning important life lessons in the process on “Punchline.” This track tells a story of battling to get rid of emotions for a former lover, whom he now realized might not have loved him the same way. He’s now caught between accepting that fact and learning life lessons from it and going back to beg her for another chance.
You’re all wrong.
Frankly Mr Shankly is about the head of Rough Trade Records, Geoff Travis. The label which The Smiths were signed to at the time.
Morrisey was upset about the deal the band were on, and the basic fact that they weren’t making any money. So he wrote a song making fun of Geoff Travis, and disguised it as a letter to the fictional “Mr Shankly”.
However, he gave it away (probably purposefully) with the line.
“I didn’t realise you wrote poetry. I didn’t realize you wrote such bloody awful poetry”.
Geoff Travis apparently used to write poetry, and for many years previous to the song sent it to Morrissey (a fellow poet), for his opinion.
Morrisey ends the song with
“Now give us money”
Which was basically the reason he was so upset with him. He felt the band were being cheated financially
On the 25th anniversary of the album, Geoff Travis gave an interview to the NME, where he said he had no idea it was about him, until he heard the line about “poetry”, where he burst into laughter (they were actually friends, and Morrissey intended it as light hearted)
Yeah, that was basically what has been said before. Calm down with your "you're all wrong"s.
@ceej1979 Don't know about them being friends: Morrissey's autobiography suggests otherwise...
@ceej1979 while it's nice to explain all this, you're ALL wrong is a bit much. A lot of people commented on similar themes without knowing the specifics. Frankly Mr. Ceej1979, very few people were in that band and went through that specific experience with those specific people but there are thousands and thousands of people who still can relate to the song as they have analogous experiences and feelings.
@ceej1979 Well, no one is "wrong", lyrics can be interpreted in many ways. One of the reasons I love The Smiths is because people can give meaning to them in their OWN way.
@AlexanderDumbass I just read the autobiography and I agree they weren’t friends. However Morrissey’s version of events is that Geoff Travis was treating him really badly and ripping him off but Geoff didn’t see it that way and couldn’t understand why Morrissey was so pissed off with him despite there being a court case etc. Interesting that Geoff claims to have laughed at hearing the line about his terrible poetry. If Geoff really did laugh that shows a lot of character because that would be an incredibly hurtful thing to hear about your work from someone you admire. Maybe he just says he laughed but actually he was fuming.
Most people don't get the line:
"i want to catch something that i might be ashamed of"
because it's about STDs and they think "well, who would want to catch an STD" but actually it's about being so deperate for a partner of any kind that they couldn't care less where they've been before.
@1imaginarygirl I agree, but also, I think he wants to love so much that he is prepared to take risks.
"I want to live and I want to love I want to catch something that I might be ashamed of"
Jesus, I laughed out loud when I heard that line. I thought it was so brilliant. This is probably the best song off Queen, unless it's the There is a Light, or the title track.
This is about a record executive for the Smith's record label. Morrissey had no respect for the guy. One day the exec showed Morrissey some poetry he had written, which Morrissey obviously didn't like ("I didn't realise you wrote such bloody awful poetry ")
Does this song remind anyone of Tom in "The Glass Menagerie"?
Yeah, now that you say it, I can really see the parallels!
Great song - with one of my favourite basslines. Fun to listen to and to play. Fairly obvious what it`s about: wanting to be famous and not wanting to work for a boss you hate in a job you hate but needing the money.
this song is about what we all would like to say sometimes to some aspects of our lives honestly. i love it and the lyrics and the music go so well together... i love how he goes "shhhhankly" in a particularly exaggerated way after he says "didn't realise you wrote such bloody awful poetry"
Cocksure fantasy resignation, and linked to songs like 'Heaven Knows' in the anti-work ethic. The 'bloody awful poetry' was linked to a record executive, Morrissey's boss-of-sorts, showing him some poetry he'd written. He saw himself as his intellectual equivalent, but Morrissey obviously didn't see it that way.
this is like a resignation letter to morrissey's boss, mr shankley. He obviosly hates this shankley dude. As you probably know the smiths were like 1970's-1980's hense the, "i have got the 21st century breathing down my neck" bit.
still, the bit where he says "Frankly, Mr Shankly, since you ask you are a flatulent pain the arse" will live foreva in my mind, i use it all the time.
only, you know NOT to my boss, as i am only a 12 yr old gal, so....................
LOL
"But sometimes I'd feel more fulfilled making Christmas cards with the mentally ill I want to live and I want to love I want to catch something that I might be ashamed of" digggg it